Front Cover Front Inside Back Cover Back Inside
Cream - Whiskey a Go Go (Remastered)
Los Angeles, Ca. - September 4, 1967 - CD-R2 - TBA
Disc 1:
- Opening
- N.S.U.
- Tales of Brave Ulysses
- Sitting on Top of the World
- Sweet Wine
- Rollin' and Tumblin'
Disc 2:
- Opening
- Spoonful
- Sunshine of Your Love
- Sleepy Time Time
- Stepping Out
- Train Time
- Toad
- I'm So Glad
Geetarz Comments:
Shortly after the original Mid Valley release was torrented, this fan remastered version of the MV title was also
released. In a blind poll using mp3 samples, the members of the ClaptonBoots group preferred the original Mid
Valley release to the remaster, 63% to 37%.
You can check out samples from the is remastered version:
Remastered Sample #1
Remastered Sample #2
The person responsible for the "remaster" did not take the time or consideration to in any way change the length or format of the
MV release, or in any way differentiate the "remaster" from the original. This is a problem as many common tools used to identify CD titles, for example the
Gracenote CD Database (used by iTunes), use track timing to determine the identity of a disc. In this case, both the original Mid Valley
release and the remaster appear to be the same CD set to the database, so the end user has no way of accurately and conclusively determining which version of the recording they have
encountered. This is yet another example of how someone well-meaning can quite casually generate real confusion in the trading community.
Now for the good news, if one has available the original torrented files in FLAC format (always the best way to share/trade music), the original vs. the remaster can easily be
identified by the FLAC Fingerprints in this case keyed to the remastered version.
Please note, the artwork for this version has been modified to indicate that it has been altered.
Further Review pending.
Seeder Comments:
TRANSFER/EDITING NOTES:
This is a very impressive performance of Cream at their live best in the
late sixties. As far as I know, this gem of a recording is also the entire
show. Huge thanks go out to the original seeder of this recording as well as
the bootleg company for releasing it! As far as the sound quality goes, it's
definitely very good for the time period. Few truly listenable audience
recordings from 1967 and beyond rarely surface.
Having said that, there are certainly some problems with the sound. Most
evident is the high level of mid-range frequencies (and at times low-mid
range frequencies) that produces a high level of noise from resonant
frequencies. Heavy equalization was used to remedy this effect. I used a
trial-and-error method to adjust frequency response. As the recording was so
unbalanced, this took some time and a LOT of patience. However, after
carefully cutting the hazardous mid-range frequencies causing a lot of the
noise, the recording gained much more clarity and crispness.
I found the second disc, for the most part, to be inferior to the first as
far as sound quality is concerned. Some people may not notice this, but when
analyzed they are certainly different as far as noise levels and frequency
response go. Therefore, I had to adjust each track from scratch, without
utilizing saved frequency edits for recordings that have a similar response
throughout.
There is a clipping sound, which originates from the source used, that
occurs on some tracks, mostly on the second disc. To me it sounds like
someone is bumping the mic source or the mic is hitting something. This
clipping is produced in low range frequencies. It could just be an overload
from maybe Bruce's bass amp output or Ginger's kick drum. It's possible that
the taper moved around during the show, therefore causing the shifts in
sound quality.
At times there seems to be a discernable different in audio information in
both channels and therefore channel mixing was not used. For tracks on the
second disc mostly, one channel was very unbalanced and would reduce sound
quality more if present and consequently was removed and replaced with the
other channel. This, of course, creates a mono recording. This may sound
like a downgrade in quality, but in certain cases, one channel is inferior
sound quality and is better to be removed.
This covers most of what I can remember doing to this recording. Remember,
absolutely no noise reduction was used. I hope you enjoy this version of a
remarkable, classic, sweaty Cream show!
upped by: theface07.