slowhand Digest Volume 01 : Issue 246 Today's Topics: The other Clapton BB King in Houston Who's the Enemy? Mason Portland 2001 hold out! Patton Box Set Info? Administrivia: To unsubscribe from this list, send a message to; slowhand-request@planet-torque.com with the subject 'unsubscribe'. This is an automated service. Submissions to the list should be sent to; slowhand@planet-torque.com *** ------=_NextPart_000_271B_01C17DC2.69410200 Content-Type: message/rfc822 Content-Transfer-Encoding: 7bit From: Kirk LorangeSubject: The other Clapton Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit Hi EC fans. When I moved to Australia from Canada in 1975, one of the first acts I went to see in Sydney was a guy who calls himself Richard Clapton. He had just had a number one hit with a song called "Girls on the Avenue", recorded the year before. I can't quite remember the details, but I met him at the famous Sydney Opera House after a farewell gig for someone or other, and next thing I knew I was in his band recording his next album "Mainstreet Jive", and then "Goodbye Tiger", which went to number one also. Richard is a consummate songwriter with a real neat way with words. His songs revolve around conventional chord progressions a la Jackson Browne, and he's considered by most to be the best DownUnder. I played slide on several of his albums, including a tune called "Capricorn Dancer", which was a huge turntable hit down here. It was part of a surfing movie soundtrack. I saw more of this continent in the three or four years I toured with him -- 75,76,77 -- than most Aussies, from Perth to Tasmania to North Queensland and all points in between. Lots of stories. I eventually left the band, I can't remember why, but years later I wound up on a live show video he put together of all his big hits, using the original players. I've also had the unique pleasure of hearing the guitar lines I'd invented years before in the studio replicated by subsequent guitarists he'd used later on. Some of them even managed to emulate my slide guitar without slide! The point to all of this is that, ever since those days, I've always been known down here in Oz as the slide player who used to play with Eric Clapton. "Richard", I used tell them, but they prefer to hear Eric. Now I just nod. All the best, drop in for a visit to hear my brand of slide if you're interested. Kirk http://lorange.kirk.net http://guitarforbeginners.com http://mp3.com/kirklorange ------=_NextPart_000_271B_01C17DC2.69410200 Content-Type: message/rfc822 Content-Transfer-Encoding: 7bit From: CDonatto@aol.com Subject: BB King in Houston Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Any Houston-area folks going to the BB King Blues fest on Saturday at The Woodlands? Wanna say "hi" before or after the shows? Looks like it's going to be a great day... BB, Buddy, JVaughan, Tommy Castro, Double Trouble, Doyle.... cheryl ------=_NextPart_000_271B_01C17DC2.69410200 Content-Type: message/rfc822 Content-Transfer-Encoding: 7bit From: ToeKneeF Subject: Who's the Enemy? Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit I find it inconceivable that people are blaming Dave for their AOL related problems. Well, here is an ex-AOL users perspective. 1) As I've said before in regards to this issue, I don't give two shits how big AOL is, that is NOT a justification for their behavior. Stop acting like sheep while paying to take their crap. 2) There are interoperability standards which are meant to prevent the problems you are experiencing from occurring. The fact that AOL has chosen to IGNORE those standards does not place the onus on Dave to "fix" the problem. If Dave were to abandon the Internet mail protocols, the hundreds (thousands?) of non-AOL users who are on systems which respect these industry standard protocols might be negatively affected. Did you ever stop to think about that? I doubt it. 3) I, and I believe the majority of Slowhanders, support Dave's efforts to provide the Digest on an industry standard platform which guarantees compatibility with the maximum number of users. Now if you have problems, complain to the cause of your problem, AOL and their crappy proprietary software. But then, I'm sure you have and you've probably been told "Tough Shit" by AOL. You pay for your service, don't let them dictate to you, stop your whining and show AOL how you feel about how they are treating you. Why don't you drop them as your ISP and let them know why you are leaving? There are plenty of other ISPs around. Your anger is misdirected vent it at the source. ------=_NextPart_000_271B_01C17DC2.69410200 Content-Type: message/rfc822 Content-Transfer-Encoding: 7bit From: James Fox Subject: Mason Content-Type: text/plain; charset=us-ascii "Roll in Over" was recorded with Mason and released as a single. It was later recalled, I wonder if it was because of the subject of the song or because Mason went off to promote "Alone Together". I've also wondered if the D in Derek was because of Dave. Many people believe it was for Duane but we all know Duane came into the picture later. I think the original idea was for Bobby to stick to keyboards. I've heard of that first show with Dave, and I think I've even seen a poster with Dave's name on it . It Sure would be nice to hear it. - James __________________________________________________ Do You Yahoo!? Listen to your Yahoo! Mail messages from any phone. http://phone.yahoo.com ------=_NextPart_000_271B_01C17DC2.69410200 Content-Type: message/rfc822 Content-Transfer-Encoding: 7bit From: "Monte Tourville" Subject: Portland 2001 hold out! Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Greetings, I'm sorry to have held out so long. It seems the Portland show has a lot of interest. I went to London R.A.H. Feb 9 ,10, Seattle 4,Vancouver 5, and Portland 7. Have digital pix from all, but particularly good from Portland. Lee Dickson (?) handed EC his new Strat but he refused, opting for the 335 which he played as I recall until the end (Layla??? I may be able to go back and listen again?) when he switched to Les Paul.I was within the first 3 rows most shows and row 2 for Portland. I taped most all of the Vancouver show and where my tapes ended, I filled in with Portland cuts. Right after Doyle's warm up I was talking to the Portland arena staff stage left and noticed a familiar face amongst the crew to be Nathan East who was gracious enough to shake hands and sign an autograph for me. Please understand that my taping was on a very inexpensive micro cassette and was only for my personal momento. I am trying to find time to EQ and burn to CD and would be happy to share. I've been avoiding boot collecting as many of my interests soon turn to hobbies then to obsessions and finally on to complete addictions. Maybe it's time to just say yes. Best Wishes, Monte ------=_NextPart_000_271B_01C17DC2.69410200 Content-Type: message/rfc822 Content-Transfer-Encoding: 7bit From: "Brian Sleeman" Subject: Patton Box Set Info? Content-Type: text/plain; format=flowed Hi again- Just wondering if someone can fill me in on any additional information about this? On Amazon.com, the ASIN# is B00005QD75 and it will be released on October 23. The full title is, "Screamin' and Hollerin' the Blues: The Worlds of Charley Patton." At a hefty price of $156.57, it's got to be several discs, and it's got me intrigued to say the least. Thanks in advance for any help... -Brian _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp End of slowhand Digest V01 Issue #246
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