slowhand Digest Volume 01 : Issue 294 Today's Topics: Re: EC nails it! Clapton's guitar playing Singing ERIC CLAPTON W/ GARY BROOKER DeltaNick Administrivia: To unsubscribe from this list, send a message to; slowhand-request@planet-torque.com with the subject 'unsubscribe'. This is an automated service. Submissions to the list should be sent to; slowhand@planet-torque.com *** --=_--SlowhandDigest-- From: "Rob Gabbard"Subject: Re: EC nails it! Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit > also said the same thing in an interview years ago. Eric's just not into > extended long jams or only blues anymore, but his creative genuis and > impeccable phrasing shine through in nearly every live show (a few in > person & many on CD) I've heard from all the various stages of his solo > career. Agreed. A concert reviewer for a Cincinnati newspaper summed up my feelings with one line, in his review of the Journeyman show ..... "Eric Clapton can say more with one note than Eddie Van Halen has his entire career." And while I enjoy Eddie too, no one can describe the feeling you get hearing EC live and how individual notes can make your heart reel up. It's a feeling that doesn't come out in any recording I've listened to either. I'd say some of the solos on FTC are the only things to come close. Rob Gabbard --=_--SlowhandDigest-- From: POLLET Eddy Subject: Clapton's guitar playing Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Hi, A good illustration of the little things that make a difference in guitar playing, can be found on "While my guitar" with George Harrison in Japan . When you just listen to it, you'll hear Clapton, then Harrison, then again Clapton taking solo's towards the end ... and all of them are good, also Harrison's . When you put on your headphones and listen to the same music, but concentrating on the guitar, you'll notice an enormous vibrato, some great "in-between" notes and a very precise playing by Clapton ... every single note is special in attack and duration . To me, it is only when listening like that, that the difference between Harrison's solo and Clapton becomes enormous . This same kind of playing can be observed in his early days, but becomes more rare in more recent days . I wonder if this has to do with the switch from Gibson to Fender, with ageing or with something else . Eddy --=_--SlowhandDigest-- From: Gerd Klaassen Subject: Singing Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit DN wrote: >Opinions, as we see >expressed in the Slowhand Digest, are near-unanimous regarding EC's singing, >but somewhat divided on his guitar playing. Yes, he improved his voice, but it seems I'm the only one prefering the "raw" Clapton voice on LAOALS over his polished voice nowadays. (Needless to say, I think the same about his playing). DN mentioned 1991 for some lame EC playing, but I think the NBTB period or even earlier the Bobfest had some real gems. The "Clubfull of Blues" boot contains excellent playing from this period. But, as always, everyone has his favourite EC period... Keep on, Gerd http://www.12bar.de --=_--SlowhandDigest-- From: "Luis Lopes dos Santos" Subject: ERIC CLAPTON W/ GARY BROOKER Hi Folks, I'm looking for gigs where Gary Brooker share the stage with Eric Clapton for trade. I've a large list of Eric's, Neil Young and many others. Please contact me offlist for trading. Thanks in advance for your replies. Luis Lopes dos Santos Apartado (P O Box) 27102 1201-950 Lisboa Portugal (home: lls1959@mail.telepac.pt - 1st option office: luis.santos@orey.com) --=_--SlowhandDigest-- From: "JOHN B ROE" Subject: DeltaNick Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Many have given their opinions on Nick's original e-mail. I'd like to take it a step farther with 2 requests: 1 - I for one, and I am sure the rest of the digest, would love to hear/read the answers to the questions Nick posed from Dave H., Steve P., and Mark D. You are long time fans, I am sure with definite opinions. 2 - Crossroads (Cream era), Hideaway/Steppin Out (Live Cream Vol. II), Why Does Love Have To Be So Sad (D&D Live at the Fillmore). Can anyone come up with 3 songs EC has played since 1970 that have equal or greater guitar creativity, passion and virtuosity? Many of you out there have scores of EC shows (Mark, Pat, Ilona, Bernd, and others), let's see if you can come up with such songs; and name your source! I will offer only one - Eyesight To The Blind, and after the mid70s, it got put on the shelf. Remember, equal to or greater... John End of slowhand Digest V01 Issue #294
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