slowhand Digest Volume 01 : Issue 295 Today's Topics: Nix Trix- Kix Rix Lix Clapton is an OK guitar player Clapton in Japan 3 songs since '70 three songs? figures Administrivia: To unsubscribe from this list, send a message to; slowhand-request@planet-torque.com with the subject 'unsubscribe'. This is an automated service. Submissions to the list should be sent to; slowhand@planet-torque.com *** --=_--SlowhandDigest-- From: "Monte Tourville"Subject: Nix Trix- Kix Rix Lix Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I've been following this thread for the last couple weeks with great interest-at last it's getting specific-thank God. Sharpen up your plectra, strap on the headphones and cop the 17 seconds on Eric Clapton Blues- Stormy Monday at 5:00 through 5:17. Hammermith-Odeon April 27, 1977. See if you can pick this note for note. A Very-Incredible-player could dupe and shred it to bits I'm sure. For me, it's the entire thought process on-the-fly that gets me. It took him 5 minutes to build up to this 17 second blast, essentially stringing all the segments together previuosly hinted to up to this point. So many players blow out all their stuff at the beginning and then flogg the audience the rest of the show like hitting your thumb with hammer repeatedly. From about that same time period "EC Was Here" Ramblin on my mind, I think possibly for his entertainment, he begins the solo going from the key of E to F# though the progression to the key of A then to D and completing the cycle back to E again. Not paricularely difficult to do because the box just repeats the pattern on the fretboard up the neck and so on, but I think very entertaining and quite pleasant to listen to. More later, Best wishes, Monte --=_--SlowhandDigest-- From: "Brian Doble" Subject: Clapton is an OK guitar player Content-type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit In my opinion, Clapton's playing on "Live in Hyde Park" is as good as ever before. He was having a lot of fun, bending those strings and playing quick licks, etc. What the recent discussion reminds me of is when Clapton said that he'd been there 30 years before, and that it felt "just the same." What do you all think of this? --=_--SlowhandDigest-- From: greg delaney Subject: Clapton in Japan Content-Type: text/plain; charset=us-ascii HI Slowhanders this is a review of EC in Japan that was sent to me. Hopefully there will be a copy on the Slowhand digest in NTSC format.would love a copy like the rest of us. GREG Eric Clapton Japan Tour 2001 Dec. 4th Tue. Budokan, Tokyo Tonight show was filmed for Japanese TV program with Hi-vision (HDTV) system. It was excellent show and tonight film will be his best performance on film ever. He seems bit nervous when he appeared on stage. Opening tune was "Key to the highway"on Solo. And Band joined for him, he took L-5CE and proceeded to "Reptile". It was same as other night…. But He mentioned "this one's for TAK" when he start "Bellbottom blues".(TAK is Japanese tour manager who take care Eric since late '70s. But now he is in hospital.) and he played good slos on next tune "Change the world". He looked to take off during these songs. And he put into high-gear in electric set. "River of tears" was very exciting, this one was even better than last Osaka show. YES!! I must be one of best play ever listen, even for whom went his concert more than hundred times. Next "Going down slow" was very good too. "She's gone" was played very hard. Of cause, It was very good. Then he took of his glass after this song. Budge was dedicated to George. When he start this song, He said "This one's for George" This is first time he mentioned George on stage after he passed away. This comment will remain forever, in film. There were tears in audience's eyes. Slow Blues was "Five long years" that what we want. His emotional vocal was remarkable, not only guitar solos on this tune. His vocal on this song was best ever I heard. He made audience very excited with his play on "Cocaine" and many audiences were standing on the floor, even after "Wonderful tonight". It was unusual situation in Tokyo, He played lots of solo on Plugged "Layla", He gave good guitar solos on both first half and later half. And he left from stage once. He appeared again with gold leaf Stratcaster in encore, "Sunshine" was very strong and It was hot even in December night. "Rainbow" rises after "Sunshine". Setlist was same as other night. But his play was completely different from ever. How lucky it was filmed, Japanese broadcasting system did great job. It might be World Heritage and will remains forever, with word of "This one's for George". Set List of Dec. 4th 2001 Key o the highway * Reptile** Got you on my mind* Tears In heaven* Layla* Bell bottom blues* Change the World* River of tears Going down slow She's gone I want little girl Badge Hoochie choochie man Five Long years Cocaine Wonderful tonight Layla Sunshine of your love*** Over the Rainbow** Guitar; Martin EC model* Gibson L-5CE (Natural color)** Fender Stratcaster custom shop EC model Up date,(Painted with Light blue, Orange, Yellow, white, pink & purple, etc.) Fender Stratcaster custom shop EC model / Gold leaf *** Guitar Amp. Fender Vibro King w/ extension cabinet 12 x2. & Tone Master Head w/ Leslie cabinet __________________________________________________ Do You Yahoo!? Send your FREE holiday greetings online! http://greetings.yahoo.com --=_--SlowhandDigest-- From: Subject: 3 songs since '70 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit >2 - Crossroads (Cream era), Hideaway/Steppin Out (Live Cream Vol. II), Why >Does Love Have To Be So Sad (D&D Live at the Fillmore). Can anyone come up >with 3 songs EC has played since 1970 that have equal or greater guitar >creativity, passion and virtuosity? > >John Right away, I thought of "Someday After Awhile" and "Five Long Years" from the Nothing But The Blues film. We could debate whether they were done better on other nights (we are blessed to have so many great sounding boots from '94-'95, and E played the solos on Someday and 5 Years differently every time). The NBTB film was my first score from this all-blues period which is my favorite solo-Clapton era. Hence, the NBTB versions have sorta remained as standards to me. My third pick would be "Double Trouble" from what I believe was the last all-blues concert, October 13 '95 in Tokyo's Budokan Hall. For some reason, E seldom played it on the blues tour but he absolutely aced it on this night! Forget the official releases, these three are legend-makers! Honorable mention goes to "Wee-Wee Hours" from Hail! Hail! Rock'n Roll. Not quite as good as the previous three, but pretty close to top drawer Clapton for the mid-80's. Denis --=_--SlowhandDigest-- From: olli oksala Subject: three songs? Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Hi all, I think, that music isn't about virtuosity or even about playing "right". For me it's about feelings and so I tend to listen to artists, who sound sincere and real. I don't think Clapton's greatness is only in his revolutionary guitar- style from Beano onwards. Clapton's genius is found in his outstanding and rare musicality and it comes out as well in his singing. Still there are moments during his gigs, when he makes the "time stand still" with a few divine notes from his guitar. Rob Gabbard put it in words in last Digest: "no one can describe the feeling you get hearing EC live and how individual notes can make your heart reel up". Here's for instance three performances, that easily equal those great examples from EC's early career, that John B Roe mentioned. Groanin' the blues- Budokan, Tokyo, 27.11.1993 - "Stone Free Night" Have you ever loved a woman - Budokan ,Tokyo, 27.11.1999 -"Before you" She's gone - Helsinki, Finland 5.4.2001 I'm sure there are thousands of "better" guitarists than EC, but so what? Art isn't competition, I think it's enjoyment, passion and all this great music makes life more tolerable. It's the musical personality that counts. Cheers Olli ............................................... Oma sähköposti aina käytössä! http://luukku.com --=_--SlowhandDigest-- From: "Pat Toth" Subject: figures Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit Well I saw where Eric dedicated a song to George Dec 4th at the Budokan..........Badge. Why does everything have to go off like clock work? Just think how awesome it would have been if he had opened up the show solo doing "Here Comes The Sun" since it was written in his garden anyway. :-( Time to take it off auto-pilot and put down the landing gear. 4 shows to go. Pat End of slowhand Digest V01 Issue #295
|