slowhand Digest Volume 02 : Issue 17 Today's Topics: Re: surprise? A farewell, not money Re: Overrated? Helmar??? Another waste of bandwidth early living arrangements RE: Greg Kot (he blows) on critics and objectivity (fwd) wanted: 12/21/76 EC Show in UK Administrivia: To unsubscribe from this list, send a message to; slowhand-request@planet-torque.com with the subject 'unsubscribe'. This is an automated service. Submissions to the list should be sent to; slowhand@planet-torque.com *** --=_--SlowhandDigest-- From: "Scott Wallenberg"Cc: "Slowhander" Subject: Re: surprise? Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit > Does anybody know if Clapton has ever mentioned or spoke about this song?? > > Lia > Italy Dear Lia, The song is called Lady of Verona. It was recorded during the August sessions and is on several bootlegs. It's a mild rocker and the lyrics are kind of trite >Scott --=_--SlowhandDigest-- From: "Rob Oborn" Subject: A farewell, not money Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit mmmmmmm wonder why, assuming last tour was a farewell not money, he decided not to say farewell to me and everybody else in New Zealand? Hows about Australia too? I'm sure if Robert Cray (who's been to NZ atleast twice since EC's been here or Aust at all, has EC ever come to NZ????), or even Charlie Musselwhite (late last year) can find it economical to arrive here that EC could too, poor exchange rate or no? Robert Cray was $58NZ (about $30US at the time) BTW, nice tight set. Would have payed a crapload more to see EC. Long time fan, most of my own guitar is EC based heck he basically made me pick the guitar up seriously. Even though I go listen to others, I return to EC every time. Cream days or new, even at NYC when he was "hiding" he still plays with more feel than 90% of guitarists I hear. Would have been nice to see him out here and listen to the real deal without buying a plane ticket. There are better guitarists than EC around technique/influence wise etc, but only one EC, and only one reason I lurk on this digest. And no, it's not cos I don't know how to unsubscribe! Rob --=_--SlowhandDigest-- From: sbablb@webtv.net (Scott Bartol) Subject: Re: Overrated? Content-Disposition: Inline Content-Type: Text/Plain; Charset=US-ASCII Content-Transfer-Encoding: 7Bit With all due respect to everyone regardless of our points of view, I think Eric let us all know how he felt when he sang................................ "There ain't nothing I can do, or nothing I can say, Some folks will criticize me. So I'm gonna do just what I want to anyway, And don't care if you all despise me" Of course that's just my take on it.....your mileage may vary. Scott --=_--SlowhandDigest-- From: Dale.Kalina@rrd.com Subject: Helmar??? Content-type: text/plain; charset=us-ascii Sorry for the waste of bandwidth, but if Helmar Bendig is still subscribed to this list, it has been about 4 months since I sent you the 12 CDRs as my end of a trade. The last reply I had from you was on October 15. I would very much like my 12 disks. --=_--SlowhandDigest-- From: Dale.Kalina@rrd.com Subject: Another waste of bandwidth Content-type: text/plain; charset=us-ascii Pat Toth - I have lost your email address. Please contact me at dgkalina@aol.com. Thanks --=_--SlowhandDigest-- From: Brooz@aol.com Subject: early living arrangements Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 1/21/2002 9:04:26 AM Central Standard Time, Mary writes: > From: "Jeff and Mary Berk" > Subject: Fw: arrogance > Content-Type: text/plain; > charset="iso-8859-1" > Content-Transfer-Encoding: 7bit > > I used to live in my mother's basement. > > Mary I used to live in my mother. Moved out after about 9 months. Started out on milk; later developed a taste for Cream! brooz --=_--SlowhandDigest-- From: "noah seidenberg" Subject: RE: Greg Kot (he blows) Content-Type: text/plain; format=flowed I didn't get upset when I read the comments Greg Kot made about EC. I live in Chicago but never read his page in the paper. I only know about it from the digest, I don't read the paper. Why, because its been my experience over the years that when ever I see a concert that I really like, Greg Kot knocks it. His opinion is 180 degrees away from mine. If you read many of his columns than you would know that he only says good things about very new alternative music. This guy sucks the ding dong, I have zero respect for him of his partner at the other paper Jim De'suckjaw. They both think that any artist not on the cutting edge of newness is washed up. The show on the radio you mention is on a weeknight on WXRT, the best station in Chicago for 30 years now. Its the only station I listen to, but I turn it off when these bozos are on. A friend told me that I should ease up on these guys because if they said all good stuff about an artist than they would be fans and not critics. Well I know my music and I don't need some moron to tell me what is good, who is washed up. I think Greg Kot is way past his prime and the columns he has written in the last few years don't stack up to the great work he did in the 60's. Noah _________________________________________________________________ Send and receive Hotmail on your mobile device: http://mobile.msn.com --=_--SlowhandDigest-- From: David Hillman Subject: on critics and objectivity (fwd) Content-Type: TEXT/PLAIN; charset=US-ASCII ---------- Forwarded message ---------- Date: Mon, 21 Jan 2002 18:47:41 +0000 From: Jess Mayers Subject: on critics and objectivity Hi Slowhand-digest, This is my first-time posting so excuse my use of the bandwidth.... Oscar Wilde, the British essayist and sometime critic (I know, I know, he was Irish) once said that a true critic can only criticize if his abilities are as good, if not better, in his field than the person that he / she is criticizing (I'm paraphrasing as my somewhat addled-brain is harking back into the memory bank). That being the case, 99% of critics don't have a leg to stand on when they talk about the artist in disparaging terms. Let's see the critic get up on stage and put on a good show. Critics get paid to criticize, whether it adequately addresses the issue of what is being reviewed is beside the point. If a critic wants to make a name for himself / herself often times they'll puposely downgrade a show - even if it was really good - just so that people who read the reveiw will remember the critic. A sad state of affairs but never-the-less as true today as! ! it was in Oscar Wilde's time around 1890 - 1900. My question has always been: did you like the show? If so, then praise it. If not, pray tell, what was it about the show that you didn't like. But don't go around trying to sway people's judgment or artistic merit based on your own limited viewpoint. What one person doesn't like may be the exact thing that somebody else raves about. - Jess :-D --=_--SlowhandDigest-- From: "Apurva Parikh" Subject: wanted: 12/21/76 EC Show in UK Content-Type: text/plain; format=flowed I was wondering if anyone has the Eric Clapton 12/21/76 show at the hammersmith odeon, england, please email privately for more i have lots to trade thanks apurva _________________________________________________________________ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx End of slowhand Digest V02 Issue #17
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